All in all likeable characters, a few nice juicy scenes and an intereting enough plot that I like to reread, which can only be said for a few novels on NU. And to truly be believable characters, they must not be oversimplified. You’ve got a possessive ML who the MC – a transmigrator into a canon fodder villain who dies horribly – helps ‘raise’, trying to get him his destined harem, and then gets blindsided by the ML’s hots for him. Classing this particular element as a cliché presents its own problems, though. If you’re writing YA fantasy, you may feel you have to include a romantic element to appeal to your potential audience. Like visiting an old friend, fantasy fans will often feel immediately at home slipping into a story that’s told in this familiar setting. Ok so far we know that the ML has yandere tendencies~. Your time will be well spent! The majority of fantasy fans have read widely within the genre, meaning that they’ve practically seen it all when it comes to typical fantasy standbys. I based my first novel, Margo, on this idea: A judge tries a man for a murder the judge committed. They already solve it but of course they explained it quite clearly. Scum Villain did a better job by not placing in too much focus on the ML specifically in the early chapters, nor being too explicit on how he felt towards the MC. Lovable side characters with side CP. Here are a few examples of stereotypical character types that have been overdone in fantasy: Now, we’re not saying that you have to avoid any character that sounds remotely like the ones described above. What's the point of that, we already established he's already infatuated with him. Best wishes and good luck! I personally enjoyed the fish puns/allusions based on the MC's name and the comment barrage from the readers! If a love story plays no real part in your actual story, and is only included for the sake of including romance, it will appear contrived and unrealistic. future as planned, MC comes off as a little bit of a kuudere at others in story, but since we're privy to his thoughts, we see him flail about in his head to do his best. Throughout the novel, Long John Silver clearly possesses a dual personality (thus, many critics also view Long John Silver as a precursor to Dr. Jekyll and Mr. Hyde). Gone are the days of evil villains with no motive but power; gone are the good, charming heroes with no major flaws. ‘The world doesn’t exist in black and white.’ You’ve no doubt heard this saying before – and you’d do well to keep it in mind whenever you’re writing fantasy. Regarding their relationship, the author does a great job of exploring MC's inner feelings as he gradually accepts that he's not as straight as he thought and confronts his feelings towards the ML. There are no big plotholes but a coherent and suprising build up. First few chapters and the ML immediately falls in love with the MC after MC treats him a little better. MC is witty, smart, and caring towards the ML, and their interactions are some of the best parts of the novel. He's not powerless and not a sassy but stands his ground. Three side CPs: Young master-something x brother Chu, Young master-something#2 x Third Shidi, and Shizun x I-don't remember. It’s an enormous task, but the payoff for creating an entirely new world will be well worth it. That alone is more, than most other novels in this genre manage. Instead of experiencing the satisfaction of two characters getting together after a period of development and tension, readers will be left disbelieving, in doubt of the authenticity of the relationship. I read through the entire story, and it's one of the best BL stories I've read. Milkman is a novel written by Anna Burns. 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